![]() In case you don’t know Hedge, Paul Matthijs Lombert, CEO of the company, gives a brief overview of Hedge’s beginnings and current state. These hardware units not only provide teams with ample shared storage over the network, but they also monitor individual editors’ access to specific bins so that that bin is locked to all other editors. centrally so that any editor can easily access it? And how do you avoid conflicts when you’re working on a particular asset, so no other editor should be able to change it during the process? How can you store all the footage, audio, effects, timeline snippets, etc. Now, if you are such an editor, but you are not the only one working on a particular project, but rather with an entire team of editors, a collaborative workflow needs to be established. When working with Avid Media Composer, editors typically organize their footage (and other assets) into bins, which is what the corresponding folders are called in the Avid world. The only other way to do this is to buy into Avid’s proprietary NEXIS hardware. Mimiq allows Avid Media Composer users to work collaboratively on shared timelines and storage without interfering with each other. keyboard_arrow_rightCameras of the Yearĭuring IBC 2022 we met with Paul Matthijs, CEO at Hedge for a friendly conversation that covers the latest activities of the company including the acquirement of Mimiq, a leading developer of so-called Bin Locking software.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.If you’re using ISG, or need to drive EditReady from the command line, with access to our wide RAW camera support and robust clip spanning, metadata retrieval, and more, please reach out. EditReady Server integrates perfectly with Iconik’s Storage Gateway (ISG), making it the most affordable and easiest to use automated ingest solution for iconik. It's meant for use in headless workflows like automated ingest, proxy generation for asset managers, and more. Lastly, we're pre-releasing a new EditReady Server. We have a lot more planned for 2023, and we're excited that a Pro tier opens up the possibility of adding some of the recurring feature requests that we’ve been wanting to build for a long time, but didn’t have a good place in the regular EditReady.Īs with Hedge Pro, upgrading an existing EditReady license is easy and affordable. High-speed proxies, made quickly and easily. ![]() It supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. We're shipping EditReady Pro 22.4 today with support for Phantom CineRAW. The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. We've also added RED anamorphic support, improved the stability and speed of ARRIRAW playback and transcodes, and added 100p to the retiming tool. If you get footage from a DSLR or mirrorless stills cam that doesn't write timecode, you can now fake a time of day timecode track by using the file’s creation date. To this end, we focused our last release of the year on quality-of-life improvements.ĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata. ![]() Timecode and more.ĮditReady will continue to be the world’s fastest, easiest-to-use transcoder for video pros. This is why we've decided to make three versions of EditReady, each tailor-made for different needs. We want to be able to focus on both ease of use, speed, and help our pro users with complex workflow needs. Adding those features to EditReady would only add complexity and cost for those not needing it. Many of those upcoming features however, are for the 20%. Per the Hedge philosophy, features should always cater to 80% of its user base. As we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since □ 80/20 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. ![]() Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. As the year ends, we're excited to ship our fourth major update to EditReady.
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